Various Artists -The Stockfisch DMM-CD SACD Vol.2(老虎鱼 鬼釜神工 第二集 )[SACD-r]

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资源信息：
        专辑英文名: The Stockfisch DMM-CD SACD Vol.2
专辑中文名: 老虎鱼 鬼釜神工 第二集
歌手: Various Artists
音乐风格: 流行
版本: [SACD-r]
发行时间: 2015年
地区: 德国
语言: 英语
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概述:

[B]专辑介绍:[/B]
全球首创革命性创新音源
经由精密过程转制的崭新革命性数位软体DMM-CD的诞生，既能保存原始录音的全貌，也无令人不悦的缺陷。DMM-CD既具CD的透明传真，也有LP的活生传神。－蔡克信医师
德国老虎鱼唱片（Stockfisch Records）在2013年推出全球第一张DMM-CD/SACD（Direct Metal Master-CD/SACD）《鬼斧神工》金属直刻CD，立刻震惊了音响圈，以「最接近黑胶唱片的声音」让全球各地的音响迷为之疯狂。大家都知道黑胶唱片有DMM（金属直刻）唱片，但CD要怎么「直刻」呢？一般的CD制作是把类比母带或数位档案转成数位母带压片，但Pauler Acoustics却不这么做，而是把类比母带过到DMM专用的不锈钢铜膜空白母盘上，再用真空吸盘将母盘与Neuman VMS-82刻片机的platter密接固定，接著以45rpm的转速用专属的SX84 DMM刻片头刻盘，并且只刻在不锈钢铜膜母盘失真最小的中间区块。
在刻片过程中，立刻以12吋的EMT 997唱臂搭配EMT Tondose TSD-15 唱头拾音，经由 EMT JPA-66真空管唱头放大器放大，接著用emmLabs ADC Mk.IV类比数位转换器转成数位档案，并以1 bit的DSD讯号储存在SADiE DSD 8母带系统，制作成SACD或CD。因为母盘仅用失真最小的区域，所以消耗量是普通黑胶唱片的五倍，每次播放前还要重新调校针压与抗滑，才得以正确重播，不仅成本高昂，耗费的时间与精力更是难以计算。但为了达到极致的效果，Pauler Acoustics坚持如此。换句话说，DMM-CD/SACD其实并不「直接」，而是多了一道用类比转数位的「过带」手续，但经此手续之后，原本生、冷、尖、硬的数位声完全消失无踪，听到的只有最原始的类比母带原味。
这次《老虎鱼 鬼釜神工 第二集》精选了老虎鱼唱片旗下最具代表性的12首歌曲，以全球最高规格的DMM-CD/SACD制作，再现最完美的音质。有三首歌来自当前最新的发行，包括第一首来自Carrie Newcomer 的新专辑《The Slender Thread》、第4首来自Sara K.於2001年的现场录音《Horse I Used To Ride》、第 7 首则是来自Tony Christie与瑞阿格芮合作的「The Great Irish Songbook》，还有最后一首则是来自Kerstin Blodig的新专辑《Out Of The Woods》，让您抢先聆听老虎鱼的最新制作。其他则是音响迷耳熟能详的老虎鱼王牌阵容，包括亚伦．泰勒、保罗．史帝文生、大卫．慕杨、大卫．罗斯、卡尔．克里夫＆派瑞莎．鲍亚丝、保罗．欧布，以及史帝夫．史特劳斯等，就让这些顶尖歌手的嗓音带领著您一同体会DMM-CD/SACD的类比美声吧！
曲目：
01. Carrie Newcomer: The Slender Thread　细长的线 (SFR 357.4088.2)
02. Allan Taylor: Endless Highway　无尽的公路 (SFR 357.8078.1)
03. Paul Stephenson: Girl With A Mirror　镜子女孩 (SFR 357.4069.2)
04. Sara K. feat. Chris Jones: What’s A Little More Rain (Live 2001)　多下点雨吧！(SFR 357.6030.2)
05. Ranagri: Tremors　颤抖 (SFR 357.4085.2)
06. David Munyon: Prayers Of Elvis Presley　猫王祷告文 (SFR 357.6083.2)
07. Tony Christie & Ranagri: Wild Mountain Thyme　山野中的麝香草 (SFR 357.8087.1)
08. David Roth: Be Kind To Yourself　对自己好一点 (SFR 357.8079.1)
09. Carl Cleves & Parissa Bouas: Nothing’s Gonna Last Forever　没有什么是永远的 (SFR 357.4081.2)
10. Paul O’Brien: Big Yellow Taxi　黄色计程车 (SFR 357.8080.1)
11. Steve Strauss: Sea Of Dreams　梦之海 (SFR 357.4084.2)
12. Kerstin Blodig: Out of the Woods 2 (Impro)　走出困境 (SFR 357.4077.2)
Total time: 48分鐘
V.A. / The Stockfisch Vol.2 (DMM-CD/SACD)
老虎鱼 鬼釜神工 第二集 (DMM-CD/SACD)
发行公司：Stockfisch 老虎鱼
产品编号：SFR357.5902.2
发行日期：2016/04/01
张数：1 张 - 1SACD

Various ‎– The Stockfisch Dmm-Cd/Sacd Vol. 2
Label: Stockfisch Records ‎– SFR 357.5902.2
Format: SACD, Hybrid, Compilation
Country: Germany
Released: 2015
Genre: Jazz, Blues, Folk, World, & Country
Style: Country Blues, Smooth Jazz, Folk
A NEW FORMAT: THE STOCKFISCH DMM-CD/SACD
More and more music lovers are discovering the unique sound of a vinyl record. We have thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however has many artefacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artefacts that are detrimental to a good sound.Having said that, music lovers have already become accustomed to these disadvantages.
We call our new production method "DMM-CD". With this solution, we can eradicate the aforementioned disadvantages of the pressed record - and yet still maintain the typical vinyl sound:
It starts by cutting onto a copper substrate. The sonic imprint of the cut is determined by the complex electronics and mechanics of the cutting facility.Immediately afterwards, we play back the cut using the best possible transfer technology and digitize the result. The Neumann VMS-82 cutting lathe is used in this case as the “original record player". After the cutting process, we leave the copper master on the lathe held firmly by vacuum suction. This way the disc has no vertical or lateral movement, which would affect the tracking of the pick-up stylus. With a pressed vinyl record, this source of error is inevitable. read more…
THE STOCKFISCH DMM-CD/SACD VOL.2
The second DMM-CD/SACD released 2016. 12 tracks selected from recent Stockfisch repertoire, at first cut into copper-master and immediately digitized with 1bit-DSD HiTech equipment. Incl. a 60page booklet containing a well illustrated documentation about the DMM-CD/SACD.
"Stockfisch Records (under the innovative direction of Gunter Pauler) continues to operate on the cutting edge of technology. Their technological advances enhance the acoustic sensitivity of the performers without altering their essence. The DMM-CD/SACD format captures the pure tonal quality of vinyl without the various “noise” distractions. The digital transfer expands the vibrancy of the voices and instruments. I heard no pops, ticks or surface noise and the fidelity was truly excellent. Hopefully there will be other recordings that utilize this process." —Robbie Gerson, Audiophile Audition, Jan 19, 2014
Second Edition Of New Audio Format!
Hybrid DMM-CD/SACD!
Listen To A Perfect Vinyl Sound In Pristine DSD Quality On Hybrid SACD!
The second volume of the DMM-CD/SACD format by Stockfisch contains a sampling of music by Allan Taylor, Sara K., Chris Jones, David Munyon, David Roth, Paul O'Brien, Steve Strauss & more!
The second DMM-CD/SACD features 12 tracks selected from recent Stockfisch repertoire, at first cut into copper-master and immediately digitized with 1bit-DSD HiTech equipment. Includes a 60-page booklet containing a well illustrated documentation about the DMM-CD/SACD.
More and more music lovers are discovering the unique sound of a vinyl record. Stockfisch have thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however, has many artifacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artifacts that are detrimental to a good sound. Having said that, music lovers have already become accustomed to these disadvantages.
Stockfisch calls their new production method "DMM-CD". With this solution, they can eradicate the aforementioned disadvantages of the pressed record - and yet still maintain the typical vinyl sound.
It starts by cutting onto a copper substrate. The sonic imprint of the cut is determined by the complex electronics and mechanics of the cutting facility. Immediately afterwards, they play back the cut using the best possible transfer technology and digitize the result. The Neumann VMS-82 cutting lathe is used in this case as the "original record player". After the cutting process, they leave the copper master on the lathe held firmly by vacuum suction. This way the disc has no vertical or lateral movement, which would affect the tracking of the pick-up stylus. With a pressed vinyl record, this source of errors is inevitable.
Using the best possible components, they play back the signal from the freshly cut groove. The components used are: an EMT TSD-15 Pick-up, a factory built special version of EMT's legendary Broadcast TONDOSE TSD-15 and incorporates a diamond made from a square natural rod. This diamond is refined with a highly sophisticated shape with multiple facets resulting in a frontal parabola measuring 17 x 25 µ (micrometre). This diamond quality secures not only very little distortion, but also very low FIM (Frequency Intermodulation Distortion). Moreover, they decided to use an EMT 997 pick up arm and a top of the range EMT JPA66 valve pre-amplifier. With critical listening test, this combination has proven to be the optimal chain when it comes to obtaining a sound as close as possible to the master.
The output of the JPA66 cutting curve equalizer transfers the analog signal to the A/D converter, a "Meitner EMM LAbs adc 8 MK IV". This is still regarded as a reference for the best possible conversion to the 1-bit Direct Stream Digital (DSD) format. The DSD signal is then recorded at a sampling rate of 2.8224 MHz on to the SADiE DSD 8 mastering system. Later, on the finished Hybrid-SAC, you will find this true 1-bit DSD layer and also a generated CD format at 16-bit/44.1kHz.
To enhance the tonal quality of the DMM transfer for the DMM-CD, the music program was cut at 45rpm, and basically they only used the area between the two zero crossings of the cartridge arm. This is the area where the geometry of the pick-up arm is optimal.
With this new sophisticated process, a new digital recording media (DMM-CD) has emerged retaining the original sound of a Vinyl-LP but without the unwanted side effects. The DMM-CD/SACD gives you the direct sound of the DMM Copper cut - without having to go through the stages of pressing a record.
Depending on the quality of your D/A converter, you will experience a new listening pleasure when comparing the "DMM-CD/SACD" with a correspondingly pressed vinyl record. Certainly it will be an emotional decision!
"Stockfisch Records (under the innovative direction of Gunter Pauler) continues to operate on the cutting edge of technology. Their technological advances enhance the acoustic sensitivity of the performers without altering their essence. The DMM-CD/SACD format captures the pure tonal quality of vinyl without the various “noise” distractions. The digital transfer expands the vibrancy of the voices and instruments. I heard no pops, ticks or surface noise and the fidelity was truly excellent. Hopefully there will be other recordings that utilize this process." —Robbie Gerson, Audiophile Audition, Jan 19, 2014
Features:
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Produced & recorded by Gunter Pauler
• DMM Disc Cutting & Digital Transfer - Gunter Pauler
• SACD Mastering & PreMastering by Hans-Jorg Maucksch
• Includes 60-page booklet
• Hard-back book case


专辑曲目:
01. The Slender Thread - Carrie Newcomer
02. Endless Highway - Allan Taylor
03. Girl With A Mirror - Paul Stephenson
04. What's A Little More Rain (live 2001) - Sara K. feat. Chris Jones
05. Tremors - Ranagri
06. Prayers of Elvis Presley - David Munyon
07. Wild Mountain Thyme - Tony Christie & Ranagri
08. Be Kind To Yourself - David Roth
09. Nothing's Gonna Last Forever - Carl Cleves & Parissa Bouas
10. Big Yellow Taxi - Paul O'Brien
11. Sea of Dreams - Steve Strauss
12. Out of the Woods 2 (impro) - Kerstin Blodig